ilovefuzz.com

Lintybits wrote:I used one at practice last night and I have a crazy horse at the moment. I don't think they sound anything alike, but I rarely run the CH with the fuzz dialed out and the drive up. I could try.

I really liked the OD sound of the Fuck, didn't play around with the momentary switch much - pretty much grabbed it out of the mail and plugged it in. The CH is noisier and does some random feedback and screeches (at least how I set it). With the Fuck you could get a more controlled feedback.

I'd be happy to compare them, hit me up with questions. I'll warn you ahead of time that I suck at describing sounds and using standard 'tone words'.

ooo demos on the crazy horse

Bellyheart wrote:Care to expand on the rhythm sentiment? I'm a rhythm-focused guitarist so I'm excited to hear this, just curious.

For one, it does much neater modulations with chords. It's thick and clear, and sorta adds its own chunk. It doesn't really create a searing roaring lead-tone, unless you crank the gain. Even then, it's still pretty full and driving. Make sense?

I made a few clips. They're all direct out from the effects loop, best I could do at the moment. Crazy Horse is going in the mail tomorrow so I had to act fast

Classic Player Jazzmaster -> Classic 30.

comparison of the Fuck, Crazy Horse and Timmy. Gain is 1/2 way on each 1st time then 3/4 (fuzz dialed out on the CH) rest of the knobs are noon (Timmy bass/treble CCW)
[soundcloud]http://soundcloud.com/lintybits/1-ch-fuck-timmy[/soundcloud]

Fuck and Crazy Horse, gain 3/4 of the way up then gain on full (fuzz still out on CH)
[soundcloud]http://soundcloud.com/lintybits/2-fuck-ch[/soundcloud]

Crazy Horse alone. Drive 1/2 way, volts full, down to 1/4 then back to 3/4. Fuzz at 0 then up to full.
[soundcloud]http://soundcloud.com/lintybits/3-ch[/soundcloud]

Fuck at 3/4 gain Hit by a Timmy at 1/2 gain
[soundcloud]http://soundcloud.com/lintybits/4-fuck-timmy[/soundcloud]

You just helped a lot of people out right here. Sounds good. Was the CH on loan?

Bellyheart wrote:You just helped a lot of people out right here. Sounds good. Was the CH on loan?

the moral of the story is everyone should buy a Fuck OD.

I've had the CH for a couple of years, used it a lot in my old band but not so much in the new one. Trade offer came along that I couldn't turn down.

Yes, that was very helpful. Thank you for those clips.

cool to hear those comparisons! i've never heard a CH before, so now i can at least tell people that the two are nothing alike. interesting that in the first clip, the fuck sounds pretty damn similar to the timmy, but with a little more low end and a different high end.

nice to hear!
think you'd be up for doing one or two more of the fuck? maybe using the tone control and/or momentary blaster?

My BIGGEST question is... With the fuck mode, can you get a more subtle crackly type of sound? Like where it doesn't MAJORITY cut out? I'm assuming there is an intensity knob so based on how hard you play, will determine how much it'll cut out. I'm planning on using it for running samples and keys through to give it an unstable sort of sound.

BTW thanks for the clips Linty!

yeah you can, it just takes a little getting used to the threshold level (which is the knob that controls the intensity).
if you want a gainy sound which is unstable, it's a bit easier to dial in than a cleaner one since rising gain on the fuck = more subtle crackle. still totally possible either way, it's just that the gain control and threshold control are pretty interactive in an interesting way.

it's easier to think of like this... low gain = crackles/gating, med gain = crackling/compression, high gain = compression/eq changes

FUCK! I need to sell my OCD!

smallsnd/bigsnd wrote:cool to hear those comparisons! i've never heard a CH before, so now i can at least tell people that the two are nothing alike. interesting that in the first clip, the fuck sounds pretty damn similar to the timmy, but with a little more low end and a different high end.

nice to hear!
think you'd be up for doing one or two more of the fuck? maybe using the tone control and/or momentary blaster?

Still getting the hang of the blaster but I should be able to get a couple more done this weekend I'll see if I can get anything usable from practice tonight as well. We record with a room mic, sometimes you can make out what's going on

Timmy sounds closer on the recording, in the room you could hear the high end of the Timmy more. The fuck feels thicker if that makes any sense. Funny to look at the wav files, the CH is pretty flat and square.

Have to say I'm really digging the Fuck. Will def be buying one if Eric wants this one back.

I'm sure he will, if he won't he best hide.

Nice demos. The Fuck sounds the best out of those, I think.

Achtane wrote:Nice demos. The Fuck sounds the best out of those, I think.

I agree.

And this is why:

smallsnd/bigsnd wrote:––a little more low end and a different high end.

Can't believe I haven't bought the fuck...
I've wanted to grab it since the very first demo