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Re: The Doom Room: ILF Edition

Posted: Mon Dec 23, 2013 11:21 pm
by whiskey_face
fucking BKP warpig alnico 5 or death bucker or dirty heshers. . . .


1st world problems ftw. . .

Re: The Doom Room: ILF Edition

Posted: Mon Dec 23, 2013 11:29 pm
by ryan summit
whats your opinion on p90s whiskey?

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 12:11 am
by whiskey_face
I have a phatcat in the neck of my les paul. luuuuuurve it

loooove them in necks, havnt owned a P90 (bridge) guitar ever though. someday.

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 12:20 am
by chillerthanmost
I have a BG Pure 90 in mine and absolutely love it. Not overly hot but still beefy. I also have a Bareknuckle P92 in my telecaster and that thing gets really hot. It's loud and awesome. Gets dirty and pushes any amp into a creamy overdrive. Tons of mids and still articulate. I use it in B standard and it is so clear and thick sounding. The BG Pure90 I use in C# standard and it also rules.

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 12:44 am
by ryan summit
awesome
90s in necks
thats what im gonna do

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 1:07 am
by Krosis
How do you guys compensate for the hum that comes with single coils or p90s? I tried out a p90 SG and while it had a great tone the hum was too much and it wasn't nearly the amount of dirt I would normally use.

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 1:12 am
by chillerthanmost
Mine are pretty quiet, surprisingly. Unless I get really really close to my amps. But at standard distance it's not bad at all. Both of my P90's are boutique made shit though. So, idk if they are different or what not. I know the BG is supposed to be a true P90 physically shaved down. Idk. But hum is never an issue. I also run two rigs and just set up the Radial ABY to the setting with least amount of hum.

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 1:53 am
by dazedbyday
What do you guys think about p90 for bridge? I have been kicking around an idea for a telemaster with a tele pickup in the neck and a p90 in the bridge. I have two gfs pickups laying around that I would use with the p90 being a dream 90.

Also just stumbled upon these guys:

[youtube]http://www.youtube.com/watch?v=fdSXWEs_23U[/youtube]

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 2:07 am
by chillerthanmost
dazedbyday wrote:What do you guys think about p90 for bridge? I have been kicking around an idea for a telemaster with a tele pickup in the neck and a p90 in the bridge. I have two gfs pickups laying around that I would use with the p90 being a dream 90.
Like I just posted above you, I love both of my P90's in the bridge of my two guitars. P90's is all I play though I would love my next guitar to be a jazzcaster; jazzy body and neck with telecaster pickups and routing. But yeah, last couple replies have been about P90's :thumb:

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 2:16 am
by dazedbyday
Cool, I saw the other posts and thats what made me think of it. I though you guys were mainly talking about neck position stuff, didn't read yours closely. Thanks.

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 3:11 am
by AxAxSxS
vidret wrote:I SAID MERRRR CHRISTMASS!!!

[youtube]http://www.youtube.com/watch?v=JFx6j8jiYrs[/youtube]

Image
Image

Glad some of you guys are diggin the Alumitones as much as I am. I feel like I don't have the tech savvy speakin thing well enough to describe how rad they are.

Deathmonkey's description is right on.

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 9:18 am
by ryan summit
the word rad is all i need

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 10:23 am
by conky
D.o.S. wrote:Crack the Skye blows. Relapse Mastodon is the only good Mastodon... for fans of Mastodon.

Stoked to listen to ye Summit sometime tomorrow.
Finally, someone who feels about CTS as I do. That pile of turd blows goats.
Iommic Pope wrote:
D.o.S. wrote:Crack the Skye blows.
I can't get behind this statement.
I stand by it 100%. If the first two songs were on a 7" by themselves that album would be a hell of a lot better.
D.o.S. wrote:I mean, Blood Mountain is good, it's just not really on the same level as Remission and Leviathan.

You gotta remember, when Mastodon was "breaking," they were a gloriously sludgy alternative to whatever you want to call the bands from NE and Orange County who were doing the whole scene-core-NWOAHM-clean vocals on the chorus-thing. That was more or less the face of metal ten-ish years ago, and that shit sucked. I saw them on the Slayer tour right after Leviathan dropped, and it was just fucking mindblowing how crushing they were compared to a band like Killswitch, who were being pegged as "the next big thing from the metal underground" or however you want to Decibil-ize it.

So then the 'don gets signed to Warner Bros... and just get redundant or boring. There some prog bands that I like, but I don't listen to Mastodon for that. I listen to Mastodon for the Allman Brothers meets Slayer using EyehateGod's gear.

Which they haven't done in like ten years at this point. Dead to Me.
This is why Remission is my favorite album of theirs. You can hear it in the tones and vocals that they were really into what they were doing. Their tones started sucking more and more with each album that came out after that.

Merry Krampus dudes!!!

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 10:32 am
by moose23
Happy fuzzmass everybody. Hope it it's a good one.

Re: The Doom Room: ILF Edition

Posted: Tue Dec 24, 2013 11:05 am
by pelliott
Every Mastodon album is solid gold to me but The Hunter, which I pretend never happened, and I just listen to the rest of the catalog.

Baroness I love everything they've come out with. Yellow & Green was not as good as the past records but I think it was daring in a way and there's some excellent songs on there (March to the Sea is sooo good). Red & Blue are two of my all-time favorite albums. They most show their 70s psychedelic/classic rock influences on those records and it makes for some beautiful, empowering, and aggressive music. For fans of Mastodon