Re: Final Tremolessence Prototype Jan 26, page 7
Posted: Wed Feb 02, 2011 2:06 am
African or European?
Scruffie wrote:So it's decided then... We Burn Ryan as a Witch.
backwhenIwascool wrote:The stereo jacks are pure genius.
Are you gonna use the stereo jacks in the RRR V2?
Forgive me if I'm opening a can of worms, but I just can't let the thought of the RRRV2 go.
#IHARTRYAN
Ryan wrote:Scruffie wrote:So it's decided then... We Burn Ryan as a Witch.
*gets protection from Nicholas Cage, the protector of witches*
You guys see that movie yet??
The pcb for the Elements is gonna freak people out and make them think I'm a witch.. it's covered in mysterious arcane symbols...
Scruffie wrote:Ryan wrote:Scruffie wrote:So it's decided then... We Burn Ryan as a Witch.
*gets protection from Nicholas Cage, the protector of witches*
You guys see that movie yet??
The pcb for the Elements is gonna freak people out and make them think I'm a witch.. it's covered in mysterious arcane symbols...
Nah I haven't! I hear it's not bad though considering Nicholas Cages... unfortunate recent luck in films (well other than Kick ass, that was meanna be good).
Ooo... You'll have to let me in on how the Elements is going Ryanthat PCB sounds Frigging cool.
Ryan wrote:Here's the list of features that I humbly think comprise the ultimate analog tremolo pedal:
>9 - 18vdc operation
>bulletproof reverse polarity protection
>soft touch true bypass relay based switching
>stereo input and output with separate audio paths
>mono input stereo output operation possible too
>stereo output choice of sync (unison tremolo) or pan (left then right tremolo)
>expression control of rate and depth (works in stereo)
>'hold' mode allows foot- switch to be used as momentary engage for effect with adjustable rise time (works in stereo)
>5mm led on/off indicator, 3mm led always on oscillator status indicator
>huge range of rate
>active treble control with +/- 15dB of boost and cut
>lots of volume available, can be used as clean boost/treble boost pedal in 'hold' mode
>square and triangle waveforms with widely adjustable symmetry/pulse width
>analog signal path and oscillator with digital bypass switching
>hand-rolled LED/LDR optocouplers (nothing sounds as good as home made)
>top mounted input/output/power jacks with side mounted expression jacks
>new enclosure (125B) is approximately 5mm wider than previous version (increase is the width of a pencil)
The Tremolessence is amplitude modulation tremolo, it gets quieter and louder but doesn't alter the pitch/delay/frequency of the signal at all.
Bassus Sanguinis wrote:Ryan wrote:Here's the list of features that I humbly think comprise the ultimate analog tremolo pedal:
>9 - 18vdc operation
>bulletproof reverse polarity protection
>soft touch true bypass relay based switching
>stereo input and output with separate audio paths
>mono input stereo output operation possible too
>stereo output choice of sync (unison tremolo) or pan (left then right tremolo)
>expression control of rate and depth (works in stereo)
>'hold' mode allows foot- switch to be used as momentary engage for effect with adjustable rise time (works in stereo)
>5mm led on/off indicator, 3mm led always on oscillator status indicator
>huge range of rate
>active treble control with +/- 15dB of boost and cut
>lots of volume available, can be used as clean boost/treble boost pedal in 'hold' mode
>square and triangle waveforms with widely adjustable symmetry/pulse width
>analog signal path and oscillator with digital bypass switching
>hand-rolled LED/LDR optocouplers (nothing sounds as good as home made)
>top mounted input/output/power jacks with side mounted expression jacks
>new enclosure (125B) is approximately 5mm wider than previous version (increase is the width of a pencil)
The Tremolessence is amplitude modulation tremolo, it gets quieter and louder but doesn't alter the pitch/delay/frequency of the signal at all.![]()
Wow, that's a whole load of sweetness the pedal is offering!
Damn You and Your GAS-inducing stuff, this makes me thinking of adding a tremolo in my fx chain now
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