ilovefuzz.com

Damn. That green muff with all those paintchips looks so badass.

Came up with a stereo wiring for my bandmates cheap strat copy. This is what I put together to test it.
Sounded massive through my Bassman and HH Musician with Marshall 8x10"!

night shots or gtfo!

how in the fuck did you take that bottom pic?

In the dark, cameras use a long exposure to get more light. If you move the camera while it's taking the photo, you get that, because the camera moved while the shutter was open.

mathias wrote:In the dark, cameras use a long exposure to get more light. If you move the camera while it's taking the photo, you get that, because the camera moved while the shutter was open.

For some reason, I never thought it was that simple. I took photography a few semesters ago, but I never experimented with longer exposures. well, expect attempts tonight.

madmax1012 wrote:

Holy Schnikes wrote:

how in the fuck did you take that bottom pic?

That pic was a happy accident.

Also, what mathias said.

Yah nightshots and LEDs!

I'm only going to post nightshots for the next few months in preparation for this year's battle of the boards. And nightshots are awesome, I like trying to guess what's on people's boards based on nightshots alone.

holy shit skull
looked right past that telemaster
that think is faaaahhkiinn bossssss

and danabnormal with the right hook
effin a dude
fuzz unit
bitchin

ryan summit wrote:i dont feel so bad now skulls
not that your board is as much of a mess as mine
but they are eerily similar
i just need a bunch of pancakes
and another daisy chain
doyou ever think about gettin a small board for the line 6
and volume pedal
i use the full oscillating ad9 all th time now
thanks
and as usual the boards here rule
the night shots is a sweet touch

Yeah I haven't really been home much to be able to keep it tidy, only to play it. Spent about a half hour last night trying out new things- took the Unpleasant Surprise back on and put the optical compressor back on. I hate how it cuts my rough dynamics and jabs sometimes, but with the fuzz on you can't tell and it picks up all the minute details and little noises in between playing that I loop and love

I've got a small little wooden board that the DL4 usually sits on, just didn't have room for it last night and this morning. My Ernie Ball Volume Pedal is fucked ATM, but I'm going to probably send it off next weekend to get fixed, I think. Needs a new string and spring. I miss it SO much.

And it's really funny, I got a Behringer Vintage Delay a few days ago from the Shoegazer, and tweaked it and LOVED it and then found the same settings on the AD9 to where it oscillates and marked it with a sticker so now it never leaves that setting.

It's kind of stupid- I'm using the DD7 as a reverse delay, with the #1 Echo and AD9 before it. It almost sounds like the ICE mode on the Timeline, and splits everything stereo into the DL4!

Officer Bukowski wrote:Dude. Telemaster turned out hot. Is there a thread about this?

I love how your board has become like always the same pedals with only one that changes usually.

AD-9 =

Yeah dude! The thread is HERE
I really love the sounds that come out of it. The single pickup can be really angry, or really bold and clean. It's such an interesting sound.

And my wallet TOTALLY loves that my board is just me swapping out the order of things. Like LOVES it. But I guess as you've seen now I've just been dumping money into guitars. So I guess you can say my money went elsewhere

fungalattack wrote:night shots or gtfo!

Sorry dude it was 11am when I took the picture! I promise I'll take one when I get home in a few days!

ryan summit wrote:holy shit skull
looked right past that telemaster
that think is faaaahhkiinn bossssss

Thanks duder. It's a special guitar to me, I guess I feel extra connected to it because I built it. But it sounds so different from all my other guitars too

^ Perfect!