ilovefuzz.com

Hello! HCFX refugee here.

I went back to the PT Pro due to the impending reformation of my old band Razorblade Monalisa. I really need the modulation, extra delay, and Loopmaster switchers on there for a few songs.

There's a lack of fuzz, I know. My amp loves distortion pedals, can't stand fuzz pedals unless it's a Skreddy Top Fuel or a Blackout Musket.

Jules-RM wrote:

Hello! HCFX refugee here.

I went back to the PT Pro due to the impending reformation of my old band Razorblade Monalisa. I really need the modulation, extra delay, and Loopmaster switchers on there for a few songs.

There's a lack of fuzz, I know. My amp loves distortion pedals, can't stand fuzz pedals unless it's a Skreddy Top Fuel or a Blackout Musket.

Sweet damn board. I want to upgrade my DD-20 to a Timefactor SO badly.

jrmy wrote:I just went to the Bigfoot FX page, and I really dig the sounds of the Spaghetti Western... really distinct, good stuff.

It's definitely in the Mosrite/Maestro family, so it's bright and splatty on max settings and honking on lower settings. I think the fuzz would be even better with voltage controls (Right now I'm using the Germanium OD as a pseudo voltage controller). I think I need one of those Beavis Audio Devolt things.

bigchiefbc wrote:
Sweet damn board. I want to upgrade my DD-20 to a Timefactor SO badly.

Sorry to fuel your GAS, but I think it's totally worth it. You can do so much with the TimeFactor. The only thing it doesn't do very well is tape delay, apart from that it's the best delay I've used.

I wasn't a huge fan of the Timefactor when I heard it at the AES convention in SF last year, same with trying it out in a store. Then again, all the modulation you got on it probably helps out with the sterile sound it puts out.

Also, nice carpet dude.

Nychthemeron wrote:I wasn't a huge fan of the Timefactor when I heard it at the AES convention in SF last year, same with trying it out in a store. Then again, all the modulation you got on it probably helps out with the sterile sound it puts out.

Also, nice carpet dude.

The presets suck - I'll give you that, once you get beyond them it's all gravy. I tend to like digital delays for higher gain work, analog for the lower gain, that's why the DMM is still on my board.

Jules-RM wrote:

Hello! HCFX refugee here.

I went back to the PT Pro due to the impending reformation of my old band Razorblade Monalisa. I really need the modulation, extra delay, and Loopmaster switchers on there for a few songs.

There's a lack of fuzz, I know. My amp loves distortion pedals, can't stand fuzz pedals unless it's a Skreddy Top Fuel or a Blackout Musket.

I'm interested in the dirty bomb again after you said it could cop some MCIS tones
I've already got a zero, but it doesn't do everything

Main board: Ernie Ball VP Jr. Volume>Digitech Screamin' Blues>EHX Big Muff Pi Reissue (w/ tone stack and battery sag mods)>EHX Tube Zipper>Subdecay Noise Box>Copilot FX Android>EHX Stereo Memory Man w/ Hazarai>EHX Flanger Hoax>EHX Small Clone>Boss RC-50 Loop Station w/FS-6
Misc. Pedals: Dunlop 535Q>DOD FX25B>Voodoo Labs Tremolo (older, 2 knob)>Ibanez TS7>Korg AX1B

That boc looks familiar. I saw Jeff Ray use something like it live, doesn't it make a drone-sitary sound?

The box on the left? It's a digital electronic tanpura, and does indeed make a drone sound similar to a sitar. Here it is pretty heavily effected (but you'll get the idea):
[youtube]http://www.youtube.com/watch?v=zNOg-qILwZk[/youtube]

Sitar-esque drones are awesome. People need to use those kinds of long sounds more often in music. Also, hey you're that guy who subscribed to that one video I made! I guess I need to do another demo or something soon.

Little messy but she works.

Dissentience wrote:

Same delays as me!

Astricii, what's the pedal next to the OK? And what's the Supersonic Fuzz Gun like?

its a chk chk boom feedback looper