madmax1012 wrote:excane wrote:Haki wrote:You've had it long enough to get past the initial butterfly stage, how you liking it?
I actually like it more than I did the day I got it.
I'm not one BY ANY MEANS to be a fanboy of anything (ssspecially the go-to targets of TGP) but this delay is really something that keeps me not wanting to stop playing.
I never believed what others said about it.... UNTIL I had one for myself. It really is something special.
I'm not even gonna put on my "BOOO HYPED PEDALS" persona. congrats on it. they really do look incredible, regardless of the price. but the question is, is it the delay to rule all other delays?
For the tone and features it boasts, YES.
I've struggled myself with delays. For bass, digital was always what I preferred for pristine crystal-clear repeats. For geet, I never had a lot of time to mess around with analog to fully appreciate them.
I realized that I'm not a bells and whistles guy for delay. The Timeline and Timefactor are fantastic for what they are/do but I would never have a use for all of the features. That's why I sold my Timeline. I still have my Timefactor, but only fucked around with it a handful of times.
The simple fact that the echo (and all toneczar) runs on 18V gives me the headroom I need for my stupidly high output basses and active geets. 2 delay times and the safety/feedback is just heavenly. There's no other way to describe it. Being analog, you don't have tap tempo but using the expression pedal is pretty much the same thing. You can mess around with the exp pedal for delay 1, but always switch back to delay 2 which stays constant (unless you kick or move the knob)
You add the angelbaby on top of that and you literally have weeks you can spend fully grasping everything it's capable of.
