ilovefuzz.com

I would be on that board like a brony on a R34 site.

excane wrote:

chutneyfarmer wrote:Was rocking some nice doom/stoner/drone tones on this earlier today.

Jimmy Behan Dark Meathead Clone > BAT LSTR > SMMwH

Want to add in a Black Forest and SHO and should be done

What about the other 6 or so pedals that board can hold?

fuuuuck that, this board is so good as it is

i love simple set ups like this.

Between the Polecat, ’88 RAT, and the Tri-pie, I got all of my fuzz I need.

DarkAxel wrote:

SpaceFlunky wrote:

buddy, you win for the best photo of Black Forest ever... is that the flash on your camera?

also... a very nice board

Thanks! The light on the BF is just my ceiling fan light that was directly above when i was taking the pic.

phantasmagorovich wrote:beat me to it. that photo is awesomesauce.

PumpkinPieces wrote:
Holy Wieners.

My fave kind of wieners!



The only thing im really going to try and go after is a Randys Revenge. Then i'll have to decide if the Pharaoh or Badascan (plain black fuzz) will be on the board.

jskadiang wrote:Complete rig shot! Randy's Revenge finally came in to fill up the last spot on the board, am really happy with this rig now, apart from needing that damned new Moog tap tempo delay thing.

OHH BASEDGOD SWAG

BUT WHERES THE MATCHLESS?

All done:D

EBVPjr-> Korg Pitch Black -> Blackout Effectors Very Special Twosome-> 70's DMM (Thanks Pumpkin!)-> DD7-> Sunn Sceptre (Reverb on 3, mid boost off)

Awesomeness incarnate.

I sooooo missed analog delay in my life. Strymon can't even compare. Holy shit.

Personally I still don't feel wow'd by analog delay as other people do.

I've been using digital delay for a good while now, but I got the DMM in the mail, cranked it, and got really super nice dirty dark repeats. I still use digital delays all the time for looping and heavy repeats, but the atmosphere of analog is amazing

GardenoftheDead wrote:Personally I still don't feel wow'd by analog delay as other people do.

If you want to sound like you're playing in an undersea cave, and the sea's on an asteroid orbiting an object in the oort cloud. Nothing quite touches that like digital. If you want to sound like you're wielding the instrument of a powerfully evil and forgotten god then analog's where it's at in my book.

For me it's the response of the repeats more than the 'tone' per say. It feels like analog reacts more to what you're playing and digital repeats degrade in a flat unresponsive way that's perfect for that infinitely open feel.

Holy shit, all these recent boards have been making me feel straight up inadequate.

small changes

whats the pedal between the megalith and elements

It's something by Farndurk. I'd be careful if ordering from there; there's a massive thread on TGP full of people who have been scammed by them.

http://www.thegearpage.net/board/showth ... p?t=995785