You, good sir, need to get out and gig more to experience the woes of a gigging guitarist and how much knobs move without you touching them or realizing it, until you step on the pedal mid song.D.o.S. wrote:It defies logic that a designed-to-be-adjustable sonic parameter would require me to take the pedal apart in order to adjust it. Now, obviously, there are certain exceptions to the rule (input thresholds seem the most obvious to me at the moment), but a one knob distortion that's secretly a three knob distortion seems a little pedantic to me.
The Doom Room: ILF Edition
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Re: The Doom Room: ILF Edition
Iommic Pope wrote: Skip, you rule. You hate people so much, you're willing to discredit all human progress, its awesome.
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Re: The Doom Room: ILF Edition
I'm so fucking stoked for that show. My new project is heavily FoH influenced and it'll be cool to see them play the newer stuff live.resincum wrote:killer rig up there. I can totally see PM stealing the show for me as well. they've crushed every single time I've seen em. speaking of rad shows, The Body and Full of Hell are coming through within a week or so. soo stoked for that.
anyone here heard of Oryx? awesome 2 piece doom/sludge neighbors that are relocating to denver soon. the guitarist rocks nothin but worshipper cabs at this point. has a fuckin MONSTROUS tone. if you're up there, definitely check em out when they roll through.
https://oryx.bandcamp.com/album/widowmaker
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Re: The Doom Room: ILF Edition
Also this in regards to one knob anything. I fucking love stuff I can't mess up because I play with the same settings almost always in a band setting and I'm way rougher with my gear than I should/mean to beAncient Astronaught wrote:You, good sir, need to get out and gig more to experience the woes of a gigging guitarist and how much knobs move without you touching them or realizing it, until you step on the pedal mid song.D.o.S. wrote:It defies logic that a designed-to-be-adjustable sonic parameter would require me to take the pedal apart in order to adjust it. Now, obviously, there are certain exceptions to the rule (input thresholds seem the most obvious to me at the moment), but a one knob distortion that's secretly a three knob distortion seems a little pedantic to me.
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Re: The Doom Room: ILF Edition
Is the TB / FoH tour coming through our area? I might have to tag along if they are.BoatRich wrote:I'm so fucking stoked for that show. My new project is heavily FoH influenced and it'll be cool to see them play the newer stuff live.
Yes you are..... but your also on par for 80-90% of the musicians ive shared the stage with.BoatRich wrote:Also this in regards to one knob anything. I fucking love stuff I can't mess up because I play with the same settings almost always in a band setting and I'm way rougher with my gear than I should/mean to be
Iommic Pope wrote: Skip, you rule. You hate people so much, you're willing to discredit all human progress, its awesome.
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Re: The Doom Room: ILF Edition
No, I've gigged enough for that... definitely part of the reason I hate gigging. And songs.Ancient Astronaught wrote:You, good sir, need to get out and gig more to experience the woes of a gigging guitarist and how much knobs move without you touching them or realizing it, until you step on the pedal mid song.D.o.S. wrote:It defies logic that a designed-to-be-adjustable sonic parameter would require me to take the pedal apart in order to adjust it. Now, obviously, there are certain exceptions to the rule (input thresholds seem the most obvious to me at the moment), but a one knob distortion that's secretly a three knob distortion seems a little pedantic to me.
Got some friends opening up for The Body here in like a month. TITD again on Friday. I am so excited.
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Re: The Doom Room: ILF Edition
This is rad
[youtube]http://www.youtube.com/watch?v=Buep4ITJyc8[/youtube]
[youtube]http://www.youtube.com/watch?v=Buep4ITJyc8[/youtube]
nightterrors wrote:Except fuzz, fuzz all the time.
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Re: The Doom Room: ILF Edition
Helps builders fit more options into smaller/cheaper enclosures too. Less drilling, less wiring, etc...D.o.S. wrote:It defies logic that a designed-to-be-adjustable sonic parameter would require me to take the pedal apart in order to adjust it. Now, obviously, there are certain exceptions to the rule (input thresholds seem the most obvious to me at the moment), but a one knob distortion that's secretly a three knob distortion seems a little pedantic to me.
This isn't really related to Nick's pedals at all, though. Just a general statement.
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Re: The Doom Room: ILF Edition
All about condensing down full size versions of each pedal into smaller versions without dropping all of the features. I am also still charging a bit of money for each of them, for example most of BATs full size full feature pedals sell for as much as I am selling a single knob pedal for.
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Re: The Doom Room: ILF Edition
Postman brought me a Dunwich care package. Demos inbound soon.


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Re: The Doom Room: ILF Edition
:jizz:
i'm glad i can call you a friend. even if i'll never see you again


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Re: The Doom Room: ILF Edition
I have a Cthulhu fuzz, which is one knob, and a Cthulhu Fuzz Deluxe, which has every conceivable control you could want and a couple extra. I use and like both, for different purposes. I think the core value of these one knob pedals is getting a high quality stomp box with an already very definitive tone that's bare bones and compact. You can tweak them a bit to taste, but it's not meant for someone that wants to change their settings every time they play and dial it in all the time. The good news is, Nick makes pedals that are great for that and have the same essential tones. So it's more about having a version for different tastes. One knob versions, standard versions, deluxe versions. They all have a really solid foundation, tone wise. So if you dig the tone you can have the control amount to your preference, but the other version get much bigger. My CFD is HUGE on my pedalboard.
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Re: The Doom Room: ILF Edition
I've been pretty vocal about my love for trim pots. Consistency is a good thing in my book. And if you do want to change it,,c'mon.... 4 screws.BoatRich wrote:Also this in regards to one knob anything. I fucking love stuff I can't mess up because I play with the same settings almost always in a band setting and I'm way rougher with my gear than I should/mean to beAncient Astronaught wrote:You, good sir, need to get out and gig more to experience the woes of a gigging guitarist and how much knobs move without you touching them or realizing it, until you step on the pedal mid song.D.o.S. wrote:It defies logic that a designed-to-be-adjustable sonic parameter would require me to take the pedal apart in order to adjust it. Now, obviously, there are certain exceptions to the rule (input thresholds seem the most obvious to me at the moment), but a one knob distortion that's secretly a three knob distortion seems a little pedantic to me.
Corey Y wrote:Postman brought me a Dunwich care package. Demos inbound soon.
Band=InfiniteFlux Flux on Bandcamp
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Infinite Flux full sets and demo's on youtubeCorey Y wrote:it's not obsessive gear hoarding.
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Re: The Doom Room: ILF Edition
I'm really interested in the distortion. 
nightterrors wrote:Except fuzz, fuzz all the time.
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Re: The Doom Room: ILF Edition
Me too, it's probably going to be the first thing I demo.LOCOPELAND wrote:I'm really interested in the distortion.
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Re: The Doom Room: ILF Edition
I am excite!!!!Corey Y wrote:Postman brought me a Dunwich care package. Demos inbound soon.
Your not the only oneLOCOPELAND wrote:I'm really interested in the distortion.
Iommic Pope wrote: Skip, you rule. You hate people so much, you're willing to discredit all human progress, its awesome.