Forrrest wrote:considering the processing is all on the digital side, is it possible to use different effects on one pedal platform? why only limit yourself to uploading delay presets in your box?
I don't think you can
So TC can make more money I presume
Derelict78 wrote:That probably sounds awful in the best possible way.
Forrrest wrote:considering the processing is all on the digital side, is it possible to use different effects on one pedal platform? why only limit yourself to uploading delay presets in your box?
I don't think you can
So TC can make more money I presume
Maybe? I know on the Flashback you can access some of the vibrato and chorus functions through the editor. I haven't played with it much, but I think you could remove most of the delay at have just basic vibrato or chorus functions.
^^^^ pretty much that.
I know in the Hall of Fame you can access the chorus and vibe settings too, you could just make them extreme enough to use as a standalone chorus or vibrato if you wanted
Just got my Trinity in yesterday and the editor is fucking TITS!
20 sec. decay and a whole shitload of parameters to tweak. It takes a while to wrap your head around how the different parameters affect one another, haven't figured it out quite yet. Makes me feel like a complete retard...
On the flip side; my GF thinks I'm sick. I just got a new pedal and all I do is sit behind my laptop. NOT. NORMAL. BEHAVIOR.
skullservant wrote:Have you dug around with the knobs and assigning them multiple parameters? My dwell knob is controlling 3 things at once in my Tone Print haha
I tie the saturation to the feedback knob so more repeates equals more dirt... The Flashback has presets for differents types of Chorus, Vibrato and Flanger including Zero Through but I am sure the parameters aren't the same as they would be if you have the Vortex or Shaker or Corona...
That's awesome! I'd love to get a Flashback for recording.
The HoF has the Chorus, Vibe, Flange, and through zero as well. I bet they aren't the same either. But it is HELLA nice to add a bit of chorus to smear the verb
I'm only scratching the surface ATM, but I have experimented with assigning different parameters to the knobs.
It's challenging when you have a whole new level of interaction to grasp rather than just the usual 'Decay', 'Mix' and 'Tone' knobs.
I'm gunning for something like a 'verb with a decay that quickly gets really long, more modulated and gains more 'character' parallel to the increase in decay. Character being more diffuse, I think, but it needs more experimentation.