Wes Mantooth wrote:I never found the Mikro too limiting as I usually find controlling most parameters on the computer screen more intuitive. And when I do use the controller I'm never diving through a bunch of menus. Could be I just dont know what I'm missing though
I guess it does depend on how someone works. I would miss the top 4 pads especially for chopping a sample. I have DJed with my Maschine and using those knobs to control parameters on VST effects is HANDY.
That's probably it, you are a lot better at using it than I am
My needs for the time being are pretty basic so that explains why I'm fine with the Mikro
Achtane wrote:FUZZ ALL DAY MAN FUZZ IS GOD ALL OTHER EFFECTS ARE SHIT
Caesar wrote:Dude, can you get the fuck out of my b/s/t thread with your bullshit.
PumpkinPieces wrote: This isn't America, this is I Love Fuzz.
Mudfuzz wrote:Remember when we were all just a bunch of weirdos that liked fucked up shit and not just a bunch of nerds buying bling to impress each other online?
Aw snap you got that "bass friendly" super puzzle! Ha cha cha! Good ole Chad Beeler, great guy, it's a shame what the internet has done to my shopping habits but, I'd buy from him if he was anywhere except my home state, great guy I just rather not pay tax if I can help it.
Achtane wrote:FUZZ ALL DAY MAN FUZZ IS GOD ALL OTHER EFFECTS ARE SHIT
Caesar wrote:Dude, can you get the fuck out of my b/s/t thread with your bullshit.
PumpkinPieces wrote: This isn't America, this is I Love Fuzz.
Mudfuzz wrote:Remember when we were all just a bunch of weirdos that liked fucked up shit and not just a bunch of nerds buying bling to impress each other online?
There's this Musicman 210-65 on CL, and I'm almost positive it belongs to my friend's dad. Even the paint on the walls and door trimmings in the background of the pictures is very familiar. I'm hoping I can score with a bro-deal. The thing is so minty, and I remember it just being super clean and stiff as fuck sounding.
