Fuzzy Picklez wrote:I run a disaster transport and a SMMH together. I'm probably replacin one or more with a BOSS DD-20. I don't get why people don't love them.
i had the exact same setup... but then i basically started to use DT for everything and SMMH didn't get much attention
Yep. It seriously slays it at everything other than an occasional funky sound. I actually just use it for siren sounds right now. The Disaster Transport is such an over looked delay. I love mine.
hbombgraphics wrote:paypal gift awakens a beast from underneath the earth that eats puppies
Fuzzy Picklez wrote:I run a disaster transport and a SMMH together. I'm probably replacin one or more with a BOSS DD-20. I don't get why people don't love them.
i had the exact same setup... but then i basically started to use DT for everything and SMMH didn't get much attention
Yep. It seriously slays it at everything other than an occasional funky sound. I actually just use it for siren sounds right now. The Disaster Transport is such an over looked delay. I love mine.
yeah so soon after that i sold the SMMH and bought a Wampler Faux Tape Echo... and then there was this deja vu when DT got totally obliterated by FTE the modulation is totally sexual though
I keep an analog delay and a digital delay on the board. I use them independently and together sometimes.
Ragged Trousers wrote:
retinal orbita wrote:Shocking that one doesn't need 2000k in boutique pedals to do interesting things anymore....
I saw this picture of Hendrix, all he used was a wah.... And not even the Jim Dunlop Jimi Hedrix wah, just some old thing.....
Jimi didn't realise the horrible tone suck we had to listen to every time he used that wah.
boss giga delay (presets, helicopter/edge modulated sounds)
catalinbread montavillian echo (my booster delay with phase swirlies on the repeated notes, mainly for ambiance --in lower mix settings-- and at higher settings? instant solo volume boost --this thing can get LOUD--)
i'd really like to have another delay on my regular board...i love the RV-3 but it's awfully limited. the Flashback on the looper board was supposed to live on the main board, but i need the looping stuff to live together for ease of signal routing. for space reasons a second delay would have to be the size of a Flashback, RV-3, or Disaster Transport Jr.; i'm curious to see what the Dispatch Master sounds like.
In girum imus nocte et consumimur igni
FIFTY YEARS OF SCARING THE CHILDREN 1970-2020--and i'm not done yet
even better, having the Dispatch Master with the RV-3 and the Ghost Echo would give me three! reverbs on the main board. with that and the chorus i could disappear up my own ass playing "Avalyn" all day long
In girum imus nocte et consumimur igni
FIFTY YEARS OF SCARING THE CHILDREN 1970-2020--and i'm not done yet
dubkitty wrote:even better, having the Dispatch Master with the RV-3 and the Ghost Echo would give me three! reverbs on the main board. with that and the chorus i could disappear up my own ass playing "Avalyn" all day long
oh my god you are my hero
http://www.youtube.com/watch?v=Louy7zH9guw
sonidero wrote:Roll a plus 13 for fire and with my immunity to wack I dodge the cough and pass a turn to chill and look at these rocks...
kbithecrowing wrote:Making out with my girl friday night, I couldn't stop thinking about flangers.
I tend to use few delays in a row - L6 M9 (Tube echo->blue comp or spring verb->stereo delay (both feedback on max) into EL Cap - just few chords and its summer of drones 2011
I'm giving this a bump for some opinions. I have the Flashback, but I'm thinking about selling it. It has too many features for me, and I find that setting the tempo is a little unintuitive. I'm really thinking about replacing it with a DD-6 (or perhaps another DD-3). Any thoughts on this? Also, does anyone have experience with the Warp mode? Does it just add feedback or is there more to it?
Achtane wrote:ILF: Instead of reducing the dimensions of the board, just fill it up with pedals until it looks right.
I use Sunny Day Delay -> Rainbow Machine (set to an ascending echo/reverb)-> Deluxe Memory Man currently. What I like about it? Instant MBV fun times for one, as well as those echo heavy Machina Tones. I usually have a phaser on as well at the beginning of my chain.
I've mostly been using the DMM and SDD together and turning on the Rainbow Machine for an extra(neous) layer. I like having two different delay times and two different modulation rates/depths to interact with the chords I'm playing. Also when playing double stop lead lines two delays used with a bit of fuzz can make some down right sexy and synthy sounds. I've had a few people ask me on recordings what keyboard I used when referring to a double delay'd guitar track.
It's a super thick sound when they're both on. The benefit of having two delays is getting that super drenched sound without having to worry about the feedback/repeats getting too out of control and taking over you dry signal. Rather than having one delay set to super wet and competing with your dry signal, two delays can be set to sing along with your dry signal while sounding just as wet.
mr. sound boy king wrote:
Organic apples are not normal, they are special, like analog, whereas normal apples, like digital, taste sterile and lack warmth.
Love using my Dr. Scientist RRR and my Frequency Central Atomic Clock together but I've never run two delays together. Well my Deluxe Pitch Pirate gets here on Monday, I'm going to have fun with that and the Clock, which has an LFO to get some crazy vibrato on the repeats.
I run a Sunny Day Delay into an El Capistan. I've been having some thoughts lately of selling both and buying a Timeline though. But I think that might be a dumb idea, not quite sure.
the modulation is totally sexual though
