Yea it can go pretty deep. The thing is, it can handle gain. My m9 doesn't seem like it really let's the verb out with high gain fuzz hitting it. The RRR, works awesome with it. But no, the RRR can't do the infinate verb thing.
bronzetalon wrote:Do you guys want me to do a RRR demos showing off the deeper reverb settings and such? Any specific setting requests?
Very much. Very deep Plate would be something I'd like to hear and isn't there different kinds of halls too? How cave-like can those become? And yes, if you sample it with a Fuzz that would be great too!
I use a Cathedral for non-crazy reverb tones. It can do the wacky stuff, but it can also do a pretty good boring-old spring reverb as well. The plate mode is really nice as well.
I like that I can use it as a second delay if need be. It can actually do a nice reverb+delay thing as well. And the "infinite hold" can sorta do Freeze-like tones. Reverse verb is not something I use very much, but it's cool to have I suppose.
And how may tap-tempo reverbs are there? Not too many.
And having presets is nice. You get one preset for each of the 8 modes.
So don't underestimate the Cathedral because it is mass produced and digital.
Disclaimer #1: Co-Founder, Product Developer at Function f(x).
The RRR is a really straightforward reverb pedal... it's clean and easy and does it's job well like a top notch steak knife at dinner, won't let you down. But say you need to cut some out there things.. maybe a steam locomotive in half or cut something more abstract like 'sunshine', then you might need a different knife. I'd definitely suggest trying out lots of reverb pedals, there's a ton out there that you can't go wrong with.
I´ve also check the videos on the EQD and it sounds awesome, maybe a bit too much ambience for my kind of music and it seems to be a little more expensive that the RRR. Keep them comingg