ANALOG MULTI EFFECT THAT DELIVERS FILTER, WAH, LFO, RANDOMIZED FILTER, TREMOLO, SWELLS, OVERDRIVE, FUZZ, LOW-OCTAVE AND THE NEVER BEEFORE HEARD HONEY PATENTED CROSS TREMOLO, A VERY UNIQUE KIND OF TREMOLO THAT PULSES BETWEEN THE FUNDAMENTAL AND A LOW OCTAVE
Not seeing the spectral freeze/drone aux mode from the v2, so I’m sticking with mine.
Hope this is cool and awesome, but I’m not sure the world really wanted scientifically studied and accurate renderings of all the lofi tape devices. To my thinking, the interpretive liberties in the original Gen Loss are why it caught on. Kind like how the Pretty Years was inspired by the Thermionic Culture Vulture but electronically has nothing to do with it. Again, I hope it’s awesome.
D.o.S. wrote:Broadly speaking, if we at ILF are dropping 300 bucks on a pedal it probably sounds like an SNES holocaust.
friendship wrote:death to false bleep-blop
UglyCasanova wrote:brb gonna slap my dick on my stomp boxes
hmmm - just based on the written info on the webpage
any version of this is gonna tempt me
but i'm priced out rn and it's going to be hard to justify in future
stereo i/o is probs going to bring them a new wave of customers
and a call to convert their older releases
personally, i think i can live with the mono on the older version
and worry about stereo later in the chain or in the box
model seems like a selector for overall eq profile
which could prove useful
interested to hear the range on the failure control
i get why they went with tape stop as a mode on the aux instead of freeze,
but i too would have preferred the inauthentic in that case
wouldn't be a deal breaker for me either way b/c i have other ways of accomplishing either
yeah, overall, tempting
"In a moment of unparalleled genius, Noel Parachute headed off this potential disaster by unplugging the microphone."
Oh, tape stop completely makes sense for the tape-simulation-based lofi mangle machine that they are homing in on. It seems like the more fully fleshed out version of that elevator pitch.
I like my v2 as a kind of crumbly, non-traditional chorus with a freeze mode that, while not identical, lets me leave my EHX Freeze on the shelf. That isn’t an elevator pitch, just my idiosyncratic use case.
D.o.S. wrote:Broadly speaking, if we at ILF are dropping 300 bucks on a pedal it probably sounds like an SNES holocaust.
friendship wrote:death to false bleep-blop
UglyCasanova wrote:brb gonna slap my dick on my stomp boxes
totally get that - totally get anybody that favors any particular version of GenLoss - they all have something particular that could be easy to get attached to sonically or functionally.
and, for me, there's nothing wrong with the new one, and tons of new new rightness
i'm just not in the demographic anymore, and the mere fact of stereo doesn't make me feel like reaching
i'm sure they'll have no problem selling all they can make!
"In a moment of unparalleled genius, Noel Parachute headed off this potential disaster by unplugging the microphone."
I've bought and sold quite a few of their pedals, had a first version Generation Loss that I liked a lot but when I saw that I could get four figures for it, well, that was too tempting. But if they go stereo i/o on their lineup, I will be buying them and they will stay. A stereo Mood? yeeeeeeeeeeeaaaaaaaaaaaahhhhhhhhh. Stereo Dark World, Blooper, Thermae, Habit, Warped Vinyl. Ummm, yes, please, over here
Also, for those that VSTi, this is coming out in a couple days (really like their Abyss):
qersty wrote:blue colander announced a new power boost design that has some cool features
It looks great. I have some goodies otw from him now
what did you get?
his zonk machine looks pretty neat
He sent me the Doppel, along with the new Mudfly & FFAS...well, sort of More on that later!
But I want to try the Crooked Axis, Black Emperor, and Acid Master next I think. Oh, and the CB-2P looks interesting too! All of his work is top notch really So clean and attentive.
Dandolin wrote:now that is interesting like few things on this dreary thursday
Gone Fission wrote:Not seeing the spectral freeze/drone aux mode from the v2, so I’m sticking with mine.
Hope this is cool and awesome, but I’m not sure the world really wanted scientifically studied and accurate renderings of all the lofi tape devices. To my thinking, the interpretive liberties in the original Gen Loss are why it caught on. Kind like how the Pretty Years was inspired by the Thermionic Culture Vulture but electronically has nothing to do with it. Again, I hope it’s awesome.
More on that later!
So clean and attentive. 
