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coldbrightsunlight wrote:Neat! How do you like the CAB?
backwardsvoyager wrote:we all DI now
cosmicevan wrote:what are you using your digit for? I recently got a Beebo and the learning curve is steep. I haven't even had a chance to audition all the basic effects let alone understand all the controls and options. Any tips on getting your head around it?
Benn Roe wrote:
Finally finished this quarantine project, the long, long, long overdue pedalboard that actually fits all the stuff I'm using with guitar. The band hasn't practiced since March anyway, but I'm finally equipped to play shows again whenever we're back at it. I built the board from scratch, and took a bunch of pictures of the project, so I'm gonna try to post a build thread on the projects board too.
THEBEERHAMMER wrote:Achtane wrote:Doom Weed, duh.
Doom seed is like...what you get when wizards jerk it.
Doom Weed produces Doom Seed.
BRO IS THIS EVEN KUSH??? IS BUFFERED? TRV BYPASS??? MY FRIEND DAMBLEDORE TOLD ME I NEEDED CRYSTAL LETTUICE.
backwardsvoyager wrote:cosmicevan wrote:what are you using your digit for? I recently got a Beebo and the learning curve is steep. I haven't even had a chance to audition all the basic effects let alone understand all the controls and options. Any tips on getting your head around it?
It's currently acting as my whole mod/delay/reverb section (slapback > random vibrato > IR reverb, with footswitches set up to boost the delay/change delay time). The noise floor is way lower than chaining individual pedals, so it works well for DI and recording setups.
I think you need to have a specific goal in mind for the type of patch you want, since random twiddling gets you nowhere. It can help to audition the factory presets, take note of what modules are connected in what way to produce the aspects of those sounds you like, and start building something new from the ground up. I would use the pedal on its own at a desk and build a few patches before putting it on a board, because once it's at your feet you really only want to be doing basic parameter adjustments.
One approach is to try and recreate another pedal, then modify it from there. e.g. I used the looping delay module with random LFO controlling tape length to mimic the Super Neo Matic, which I can take a step further with another LFO controlling the filter, or a slew limiter so there's portamento on the random tape length changes.
I hope that helps. It's a daunting unit but it rewards perseverance, and gives you a chance to learn more about signal processing and modular synthesis.
jwar wrote:I'd tell both you guys to eat a dick, but it's against the vibe of the thread. Dicks are meat right? haha
Invisible Man wrote:All roads lead to butt stuff.
muthlabben wrote:hi ILF!!!! long time player first time poster. here's the board i've been slowly adding to for years. newest addition is the fairfield accountant, which is a "holy shit never turn it off pedal". updated my tensor and have that running to a remote4. signal chain goes from the tuner and out at the fabrikat, literally just in a line from right to left, top to bottom. nothin crazy.
fav pedal in this chain is probably the 856 or the romferd. the 856 is such an amazing box that is very misunderstood and very much more intimidating than it is difficult to use. the presets are a blessing, and it kinda does everything? I love it for offset pitch trails and stutters that follow the playing. and i really never liked chorus but the romferd is amazing, i love using it with no sway as a metallic resonator by pushing the feedback, or a modulated delay. just everything. PurPLL is a monster and i love the sample buffer, especially with the "nasty" buffer dipswitch, which holds a lot more memory and is way more erratic.
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