Hi, let me address this right awayyeatsvisitslincoln wrote:Okay, but isn't this basically a really nicely featured PLL circuit? It seems like it's monophonic, which would suggest it's a PLL. That's what a PLL does. So is "ACO" just a marketing term?
The ACO is NOT based on a PLL but rather a digitally-assisted analog FLL (frequency-locked loop). The circuit was awarded a patent this year and it will be published before the end of June so all the gory details will be known then. We have heard several claims that the ACO sounds "similar" to a PLL - perhaps that is true for very simple playing - but here are three main reasons why a PLL will never compete with the ACO:
1) To make PLL stable, the loop bandwidth (which is directly related to the tracking time) has to be maximum 1/10 the lowest reference frequency you will use. Let's say the lowest reference frequency is 25Hz. So the loop bandwidth can be 2.5Hz MAX. This means tracking time is on the order of 1/(2*pi*2.5) = 64ms and most likely longer. This is gonna be easy to hear, especially at high audio frequencies.
2) PLL depends on PHASE locking (hence PHASE-locked loop). This means when you have a large jump in reference frequency, you can get a huge accumulation of phase error and your PLL will SLEW. This means in most practical cases, the locking time is going to be WAY longer than the 64ms quoted above! If you tried to drive a PLL with alternating low and high frequencies, you would most certainly hear this. It can be used for pleasant musical effect but only if you want such an effect - and we have found that the majority of musicians who like our ACO-based solution love it precisely because it doesn't add any coloration or slewing or non-idealities to their playing, it duplicates EXACTLY their dynamics, gestures and agility.
3) The tracking range of our ACO is 25Hz to above 6kHz. You CAN design a PLL to track over such a wide range (with some variant of the 4046 chip for example), but if you do that chances are you'll have to make a lot of compromises in the design that will make the tracking time issues explained in (1) and (2) even worse.
Gabriel Marin's guitar playing in our NAMM 2017 booth is a good example of where our ACO exceeds the performance of what a PLL could do:
https://www.instagram.com/p/BPhDfmIjyDn/
We decided to publish this answer as a part of our FAQ too: http://sonicsmith.com/faq/#is-it-a-pll
Let me know if you have any more questions!






