
Had this footrest kicking around under my desk at work. Had a fucking eureka moment, slapped some velcro on it, viola - instant pedalboard!
Moderator: Ghost Hip
This is a very impressive collection of Roto Toms. That's 21 Roto Toms in all. That is only $33.00 a Roto Tom.
Ive Had about two hours with it, and i'm enjoying it. It nails the low end character and compatibility with dirt that the amp has. You cant set it to be super clean, unlike other pedal versions. I cant peak much to the mids because I like them cranked. I just played with the mid knob a bit an it can go from a slight scoop to a mid boost, with "flat" mids around 11:00.Dowi wrote:How do you like the Model FET? from the demos i heard i always thought it was a bit too mid range oriented-AZX309 wrote:Brandsmannen wrote: Then again, bigger pedals =better sound
Sold my brig again, picked up a black forrest, and my Model FET came today. A Nice end of the semester gift from me at the beginning of the semester
D.o.S. wrote:you're not my real dad
Corey Y wrote: Tone is in the dingus.
Thats sweet! You could fit a PSU under there I bet.lost in music wrote:![]()
Iommic Pope wrote:This is the best you've been.
Suffering suits you.
BitchPudding wrote:Let this be written in our history as proof that ILoveFuzz is one tight knit internet family.
Worth itHighDeaf1080p wrote:Here's where all my worldly wealth us tied up
rfurtkamp wrote:The only transparent thing I own is a set of drinking glasses.
HighDeaf1080p wrote:The bottom looks like a telecom closet switchboard from hell. I wasnt nearly as neat under there. I have the pedals divided into groups:
1. Green - Superego
2. Blue - Superego Effects Loop...switchable to Meet Maude's effects loop
3. Purple - Arpanoid, Juicer (compressor), and a rack mounted EHX Bi-filter
4. Red - Boost/Overdrive/Fuzz
5. Orange - MEL9
6. White - Modulation
7. Grey - Delay/Reverb
Everything on the board is in one of those groups, and I decide which groups and what order to put them in, set the routing on the patchulator, and then turn individual pedals off and on within each group...
So for example, if the dirt pedals are patched into, I can then turn on the beano boost to drive the signal into the AstroTone really hard, or can turn on just the OD side of the King of Tone or whatever to get my exact distortion I'm looking for...then I can move the compressor to either before or after the dirt group if I decide I want compression...
The downside is that I cant, for example, have dirt both inside the effects loop of Meet Maude, and on my normal signal. The purple group is where that's the biggest concern. I can't use the Arpanoid in the superego's effects loop, and the Bi-filter on my straight signal because they've been grouped together. I just did my best at trying to group them to allow my most likely used combinations.
rfurtkamp wrote:The only transparent thing I own is a set of drinking glasses.
Thanks for the great reply! That makes so much sense. The grouping is the main thing holding me back from a patchulator. Sounds like such a blast. Trying to make it as flexible as possible as well as efficient sounds to stressful for me right now hahaHighDeaf1080p wrote:The bottom looks like a telecom closet switchboard from hell. I wasnt nearly as neat under there. I have the pedals divided into groups:
1. Green - Superego
2. Blue - Superego Effects Loop...switchable to Meet Maude's effects loop
3. Purple - Arpanoid, Juicer (compressor), and a rack mounted EHX Bi-filter
4. Red - Boost/Overdrive/Fuzz
5. Orange - MEL9
6. White - Modulation
7. Grey - Delay/Reverb
Everything on the board is in one of those groups, and I decide which groups and what order to put them in, set the routing on the patchulator, and then turn individual pedals off and on within each group...
So for example, if the dirt pedals are patched into, I can then turn on the beano boost to drive the signal into the AstroTone really hard, or can turn on just the OD side of the King of Tone or whatever to get my exact distortion I'm looking for...then I can move the compressor to either before or after the dirt group if I decide I want compression...
The downside is that I cant, for example, have dirt both inside the effects loop of Meet Maude, and on my normal signal. The purple group is where that's the biggest concern. I can't use the Arpanoid in the superego's effects loop, and the Bi-filter on my straight signal because they've been grouped together. I just did my best at trying to group them to allow my most likely used combinations.
Iommic Pope wrote:This is the best you've been.
Suffering suits you.
BitchPudding wrote:Let this be written in our history as proof that ILoveFuzz is one tight knit internet family.
Beautiful!
Deals:friendship wrote:You motherfuckers think I won't fuck up a couple octoroks and assemble the Triforce?
For me it is just a studio board for experimentation, songwriting, and recording. It is relatively quick and easy to change around, but honestly with the pressure and nerves of live performance, mixed with questionable lighting on stage...I think it would come down to how much of a gap your typical set has between songs...how many songs use different group order in them (how many changes per set you'd have to do), and how many times you practiced each of the swaps.Tristan wrote:Is it more a studio board then or would you consider using the Patchulator live as well?
Looks and probably sounds awesome I must say.