(Semi-repost from TGP with slight edits)
Signal chain: Agile Bloodburst Interpid 828 EMG, Agile Lizardburst Septor Pro 727 EMG, and Schecter Black Cherry S-1 Elite guitars>Dongeomac Green Ringer clone>MJKelectronics Ampeg Scrambler Clone>Noisereap NR1 Asstone>Builtbyryan Fender Blender clone>Idiodbox Dungeon Master>J. Rockett WTF>Holowon Static Egg>Frederic Effects Perky Harlot>Fuzzhugger V2 Algal Bloom>Lone Wolf Audio Iron Fist>Earthbound Audio Pale Mare>Satellite Effects Faultline Activator>Atomic Amps Amplifire with Zoom MS-70CDR in the effects loop into PreSonus HD7 cans.
After spending 10 or so minutes wiring everything together, the later part of the evening and wee hours of the morning melted away in a 6-hour doomed-out, fuzzy haze that began with lots of pointless wankery, transitioned into something like song writing as I began to use guitars with fewer strings, and concluded when I looked up at a clock and realized it was suddenly 0330 and the dogs needed to be walked (whoops). Three of the fuzzes on this makeshift collection of boards were new to me this week (MJK Scrambler clone, Earthbound Pale Mare, and Idiotbox Dungeon Master).
I also received a Sunsine Harmonic Decoder that was supposed to be part of this mega rig and had to be sent back to Perfect Circuit Audio because it was either broken or highly incompatible with my rig. Has anyone else owned one of these who could confirm if it oscillates when engaged, if there is noise bleedthrough in bypass, and if its guitar signal tracking is just shit by design?
A fellow ILFer had questions about compatibility of the Pale Mare and Dungeon Master with bass. I can comment regarding their compatibility with an 8-string guitar in drop E, which is within bass range (though not the same for various reasons-I'm aware). The Idiotbox Dungeon Master has significant variability in the upper range of its EQ controls and could work for noise freakouts, but may suck too much bass or mids out of a bass guitar signal with most of its usable settings. The Pale Mare could likely prove more bass-friendly given the frequency control for the B-fuzz mode, vast tone sweep, and three switchable treble filter options.
When I was breaking down last's night's double fuzzy wanking board, it became clear that I essentially have 2 of everything I could potentially need at this point in terms of fuzz types, which is marvelous considering the master plan of being able to arrange Doom, Shoegaze, and Noise boards periodically for recording purposes using the Mackie Onyx that just arrived in the mail today (provided it proves compatible with my laptop and Amplifire).