Wed Aug 05, 2015 12:10 am
Wed Aug 05, 2015 1:18 am
TweedBassman wrote:goroth wrote:Matt, if you can do one with top mount jacks I'll have to upgrade!
RD is one of my favourite pedals.
would you mind a slightly larger box (125B) with top mount jacks?
if top mount fit in the normal box you got it, otherwise i'll order one screenprinted custom for ya.
Tue Sep 01, 2015 4:08 pm
Tue Sep 01, 2015 4:41 pm
Tue Sep 01, 2015 9:46 pm
Sat Nov 28, 2015 11:44 am
Thu Dec 10, 2015 2:44 pm
Dandolin wrote:Any more word on the new reception switch? Still wistfully wanting....
Fri Jan 01, 2016 8:34 pm
Tue Feb 16, 2016 6:22 pm
Howsyrface wrote:Looks like the reception pedal is imminent: https://www.instagram.com/p/_pnmrCMxuY/ ... ennypedals
Now how do I actually get one ???
Thu Jan 26, 2017 8:07 am
Thu Jan 26, 2017 12:19 pm
Thu Jan 26, 2017 2:15 pm
Thu Jan 26, 2017 11:20 pm
Fri Jan 27, 2017 5:13 am
hotknife wrote:Excellent, excellent. Thanks guys. Lo-fi radness + pre distortion shaper is exactly wot I wanted to hear.
And, Goroth, you reminded me of this when I was going through the Fav Builder/Pedal thread.
Fri Jan 27, 2017 1:23 pm
goroth wrote:hotknife wrote:Excellent, excellent. Thanks guys. Lo-fi radness + pre distortion shaper is exactly wot I wanted to hear.
And, Goroth, you reminded me of this when I was going through the Fav Builder/Pedal thread.
Hahahaha!
Yeah...
I can get a bit stuck on gear I like.
Anyway, I use this way more than I thought I would. At first I got it for the broken radio tonez. But then I read a post, maybe Pumpkinpieces, about using reverb to put your guitar in different places in the mix. I still haven't found much use for reverb in the type of racket I normally make (beyond dem outer space leeeeeaaads), but the idea stuck with me, and I've been using the Radio Deluxe to do this. For example, when the other guitarist is playing the main riff and I want to play something to go with the vocals I'll often put the radio deluxe on. take the edge off the treble, leave more room for the vocals, and bring the riff to the front. You don't really notice it a lot in the context when you step on it, as your ear follows the riffs and the vocals, but then when you step off and you get hit with full volume and full spectrum from two guitars at once it hits like a hammer.