by Pepe » Tue May 14, 2019 4:42 am
"The Girl From Mill Valley" on Jeff Beck's second album Beck-Ola. It was written by Nicky Hopkins, the group's piano player at that time. He dedicated this absolutely boring song to a girlfriend in Mill Valley who "he hardly ever saw". The group let him record this rubbish tune "to keep him quiet" as Jeff Beck says in the CD booklet of the remastered album version. Hopkins, although having played with The Beatles, The Who and The Rolling Stones (to name just a few) didn't fit to Beck's style and luckily Max Middleton joined the Jeff Beck group for the next albums.
"Mother" from Synchronicity by The Police. Written by Andy Summers. He should have flushed it down the toilet. There's a big reason why nine of the eleven songs on that album were written by Sting. Nobody would miss Stewart Copeland's "Miss Gradenko" on the same album, either.
"I Don't Know Why" on Level 42's album Staring At The Sun. Lyrics have never been this crappy: "I don't know why I love you like I do, but baby I love you and always I'll be true". It's a mediocre album all in all and I only like a few songs on it.
"Stay" on Joe Jackson's album Night And Day II. The whole album is not nearly as good as the legendary 80's album "Night And Day", but it would be better without this song. Joe should have STAYed away from it.
"World That He Wants" on Jamiroquai's album Dynamite. Jay Kay is singing about George W. Bush's politics, I think? "Virtual Insanity" is a great song with political content. This one only offers reasons to be skipped. I love the rest of the album, especially "Electric Mistress" with the combination of squarewave synth bass and electric bass.
"The Return Of The King" on Jim Kerr's (Simple Minds) album Lostboy! AKA Jim Kerr. The whole album is great. The only solo project by Jim Kerr and it's impressive. He should have let the King die without anyone knowing.