Me too.
Problems with this album:
1. It's really not a Say Anything album. Conor Oberst had the balls to drop his Bright Eyes moniker and just be Conor Oberst. Time for Max Bemis to just be Max Bemis.
2. My first thought was that the vocals were recorded in Garageband. Why the fucking reverb? Gross.
3. Mix is total slop. So much fuzz buried under so much reverb. To answer your question, I think Max wanted the drums to shine through. Darren from MUTEMATH did all the drumming on this album so Max was really smitten with that and it's regrettable.
4. Conscious efforts to emulate Kanye West on several songs are very transparent (in no small part because he actually said that he trying to emulate Kanye, who he briefly worked with on this album).
Sum total: crap production plus conspicuous hero worship plus it not "feeling" like Say Anything = is it a great album? I DON'T THINK IT IS.
But it is good and several songs are pretty awesome despite all that ("Goshua" and "Attaboy" for me)
P.S. I liked Hebrews better
P.P.S. I recently got to have drinks and convo w/ the producer of IARB, Stephen Trask, and he gave me some serious insight into that album. I was pretty starstruck about the whole affair because I grew up on Hedwig and the Angry Inch