tuj wrote:The good 'ole GR300 sounds like it is still the winner for tracking speed.
That's because it didn't "track" quite the way we think about it now-a-day (or even in the gr 700 days)
In some ways, it's barely a synth (don't get me wrong, I regret selling mine years ago. I think my one wish is that they had made hex filtering, but we're talking upping the complexity by quite a bit). What I mean is that it used a combo of hex-fuzz (which was actually in the guitar) and the synching oscillators worked off zero-cross detection to retrigger an RC circuit...it's not all all that different than an flip-flop based octave divider. it was right on the line
So it didn't have to extract pitch info as a discrete parameter. So it didn't have to wait for the signal to settle down. Attack noise just came out as, well ...attack noise and not pitch to glitch burbling. The downside is the limit to bascially the one funky waveform out of the osc