Oh yeah, my thoughts on the gyro:
It was a fantastic pedal, and I'm disappointed I couldn't get my groove on better in the video. Partially I'm just not used to playing with a rhythmic filter sound, and mostly I was having an insipid night with the guitar when I demoed it. I found the relationship between the two frequency controls a bit hard to work out, especially with the instruction that for the best effect I shouldn't turn them past half way (or whatever it was, sorry, I've forgotten now!). I have no doubt that the control is quite powerful, but I didn't get the most out of it as I just couldn't grasp exactly what it was doing.
I found myself really wanting to be able to separately set the bottom and the top of the sweep, but I don't know if this is possible! I found the dark sounds to be really quite inspiring, but I would have liked to have raised the lowest cut off for the filter, and lowered the highest cut off, to get in that really vowel like deep zone.
I was surprised at how much character the filter has. It is quite different to the filters I've played before - Subdecay Proteus, Dod FX25B, DOD 440 or whatever it is... I liked the tone of the gyroscope quite a lot more. It was really good on its own and with fuzz.

Edit: A final suggestion: I found it difficult to get the tap right with two taps. My Empress tremolo takes the average of the last 4 taps, and I know David (Rainger) was talking about using a tap to retrigger the tempo on his tap devices. It was quite clever and intuitive whatever it was. Anyways, that was my only real beef is that for the really rhythmic stuff I couldn't quite tap it as I wanted. Could be a practice thing as well - I didn't spend a whole lot of time with the pedal.